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Licensing Contributor Jelle Canipel talks landscape photography and exhibiting his work alongside Michiel Pieters and Joris Put

Licensing Contributor Jelle Canipel is a Belgian scenery and adventure photographer who connected with two other 500 px Photographers–Michiel Pieters and Joris Put–to create an exhibition that compounded elements of their heritage and photography, culminating in an interactive know-how for their neighbourhood community.

Q: You have been on the stage for a number of years now, when did you first begin uploading your images and what inspired you to submit your first persona to Licensing?

A: In the beginning, as a starting photographer, you want as much feedback on your work as possible. You want people to see your work and give advice on what they like or don’t like. It is very useful to gather all this feedback for your next photo. A platform like 500 px presents immense the examinations and likewise allows you to see other handiwork that can engender you.

Submitting for Licensing is the real work–getting the opportunity to sell your work. I remember every photographer wants to get to the point where people like their work and want to buy it. If you are commercially focused, it is worth saving money for photo junkets and camera gear.

Q: You incorporate a lot of softer atmospheres in your sceneries. How do you develop your likeness to achieve this overall look?

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A: I’ve organized my own presets in Lightroom, which I chiefly used to support my photos.[ The presets that I use] depend on the type of photography–my wedding presets are different from the ones I have created for my outdoor or landscape photography.

I like the softer flavors and not the hard tones. Most of all, I desire positioning a attitude in my photos with light-colored. Light can make a photo feel bright, and darker sounds can change the climate. The define and feeling are important in a photo.

Q: Your portfolio is very consistent, tending toward drastic terrains and an adventurous aesthetic. What entices you to capture this type of content?

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A: Traveling and outdoor adventures are my main spirits. I’ve been traveling for many years with my bride, friends, and kids. I enjoy traveling in the mountains, to have that experience and capture it without bungling the moment is so special because captivate the photo does not interfere with traveling.

I like to seek little escapades like hiking via ferrata’s( protected clambering directions ), climbing a bit, or tenting and sleeping outside. Cozy instants in mountains shacks are great. I find my resentment through telling these legends in my photography, trying to capture moments and engender others.

I like a irascible place, so I find the areas they have that vibe. I likewise have my own little passage busines to help people travel.

Q: What is your favorite end you have traveled to? What are some things you would recommend learning there?

A: Oh, that is a hard-bitten question and difficult to answer. I’m in love with the Balkan countries like Bosnia, Croatia, Montenegro, and Slovenia. I cherish these sits for the natural terrains and activities you can do, as well as the people.

I likewise like to travel to Asian countries like Vietnam, Cambodia, and Thailand because of their culture, and their countrysides.

For moody spheres, I adore like the Scandinavian countries. Norway, the Farmer Islands, Iceland, and Scotland are great for these darker-toned portraits.

If you are looking for epic elevations, Austria, Italy, Slovenia, Nepal, and the Andes in Peru are where you need to go.

And for bigger wildlife and jungle escapades, the Amazon and Peru are great places to travel to.

I think if other photographers “re looking for” similar adventures, these countries would be really great to visit, nonetheless, many other countries will be able to offer other stunning openings. I would love to visit Namibia or Botswana for the nature and wildlife you can find there.

Q: What are the top five items you bringing with you when exploring a new destination to photograph? Why do you adore them?

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A: It is dependent on kind of photography trip.

For an easy access locale, you don’t have to pack light:- Camera bag- Camera and all the lenses- Drone- Peak Design clip( for easy access to the camera)- Tripod

For a more challenging location I would recommend to try and pack light:- Trekking bag+ a delineate of states in the region- Camera with one 24 -7 0mm lens and 16 -3 5mm wide-angle- Raincoat for me and the camera- Small nutrient- Peak Design clip( for easy access to the camera)

Q: This spring, you and two other 500 px photographers, Michiel Pieters and Joris Put, created an exhibit and talk on countryside photography located along an age-old pit in Belgium. What provoked the three of you to come together and compose this testify?

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A: We have worked together several times and have done some small-scale trip-ups together. Joris and I climb often in the excavation build, which is beautifully redesigned as a climbing hall.

We came up with the idea of the exhibition because we wanted to organize something for a regional gathering from our hometown. Nowadays, most photos are merely shared via social media, so we thought it would be fun to exhibit ours and make it ” tangible .” In this action, a photo speaks much more.

Q: What are some of the key points you shall be included in your talk?

A: Most of the topics were about how we started with photography and what the hell is like the most about it. We discussed how we are cooperating and motivate each other. We too dealt some of our favorite fires and told the story behind them.

In the end, we caused some gratuities and quirks. It was not too technological, so the gathering was able to take something away from the talk, irrespective of its own experience level.

Q: Why did you choose to show your work in an old-fashioned excavation? Is there important behind this select, and how did it enhance the visual suffer when ending your imagery?

A: There were various reasons for this. First of all, the locale of the climbing hallway shapes perfectly with the outdoor incidents and the mountains that were featured in the reveal, so the category of photography would feel at home.

Joris and Michiel’s grandpas, plus many other houses, have also acted in the mines. It was good to see our photos hanging from among the persons superb machines and the history it holds in store for us as well as the location.

Another reason is the fact that we all come from the town of Beringen and wanted to exhibit somewhere regional.

Finally, you have the TRiS collective that is not simply expressed support for( The Road Is Smiling ), and Tri as in Three, but likewise for the TRiS dialect word, which conveys mine-hill and fits perfectly with the mine buildings. It was not a clean white background exhibition, but a little rougher and the public had to follow a itinerary through the old-time construct and system. There was an element of search, breakthrough, and escapade as well as symbolism in this location.

Q: What would you say was the highlight of this exhibit?

A: The spotlight for me was being able to share our legend with the amount of people who visited the presentation and the expo. There was a big audience, and everyone was really excited. So that was very pleasant to see and hear.

Q: As a photographer, having the flexibility to promote, sell, and exhibit your work through various channels is essential. The epitomes you featured in the exhibition are also available in your Licensing Collection, supporting an added opportunity for sales and showing. How would you spur other photographers to give Licensing a try?

A: I think it is a great way to get your work foreground and cure others who need your work. Likewise, it is a way to see which type of work is best to sell and it can improve your view on licensed work.

Learn more about Licensing your work here.

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